Behind the Pretense: Fahadh Faasil's Brilliance in 'Njan Prakashan

Recently, I watched this movie and later found a review that says, "Fahadh Faasil is a CHAMELEON; he doesn't act, he becomes." I absolutely agree!

"Njan Prakashan" is a total winner! Fahadh Faasil nails it with his fantastic performance. The film serves up a clever mix of humor and heartfelt moments, tackling self-discovery and societal norms in a refreshing way.

The film opens with Prakashan rotating a globe, crafting a list of desired countries. His declaration, "My name is P R Akash," echoes Mohanlal's iconic line "I am B.Com First Class" from Nadodikaattu. This sets the tone for Prakashan's pretentious nature. The introduction of childhood friend Salomi's move to Germany sparks envy, driving Prakashan to concoct a plan. This captivating opening scene establishes the film's themes of ambition and the protagonist's complex journey, setting the stage for the unfolding narrative.

The film brilliantly portrays the dichotomy between P R Akash and Prakashan, both portrayed by Fahadh Faasil. P R Akash, a name adopted with an affidavit, exemplifies Prakashan's pretentious nature. This persona is a facade for his aspirations, a modern identity to align with his dreams of foreign lands. In contrast, Prakashan reveals the true character beneath the pretense, showcasing the complexity of his journey and the struggle between aspiration and authenticity. The film skillfully navigates this duality, unraveling the layers of the protagonist's identity throughout the narrative. However, there's much more in the film.

Directed by Sathyan Anthikad, it's a gem in Malayalam cinema that made waves with its witty script and Faasil's brilliant acting. A must-watch that strikes the perfect balance between laughs and emotions.

Available on NETFLIX and Prime Video.

Understanding Privilege Blindness in a Casteist Society: Unveiling Systemic Injustices

"Caste consciousness, which is deeply ingrained in the Indian psyche, often leads to caste blindness and lack of sensitivity towards those outside one's own caste." - Gail Omvedt Caste-based discrimination has deep roots in many societies, fostering a hierarchy that systematically marginalizes certain groups. Within this framework, the concept of "privileged blindness" becomes pivotal. Privileged blindness refers to the obliviousness or intentional ignorance of individuals from dominant castes regarding the advantages they enjoy due to their caste position. This essay delves into the intricate dynamics of privilege blindness in a casteist society, exploring its origins, consequences, and the imperative need for awareness and activism. 1. Understanding Privilege Blindness: Privilege blindness often arises from a lack of awareness about the systemic discrimination embedded in the caste structure. Members of dominant castes may not recognize the inherent advantages

Ardh Satya (1983) and the Intricacies of Psychological Projection

I've developed an unusual interest in watching parallel films from Hindi Cinema in the last few months. Yes, 'unusual' because, as a fan of this genre, one typically explores big regional-international films first, rather than the works of Shyam Benegal or Govind Nihalani. The film under scrutiny is "Ardh Satya" from 1983, directed by Nihalani, which has recently gained prominence. While it has been compared to the more recent film 'Animal' for its exploration of psychological projection, the focus of this article diverges. The primary interest lies in understanding Om Puri's character and his struggle against a consuming society and his own ideals. In the film, Om Puri portrays Anant Welankar, a sub-inspector in the Maharashtra police, who initially joins the force with idealistic intentions. However, as he spends time in the Chowki, Welankar grapples with the sordid world of crimes and criminality. His haunting past and familial background, where his

Travel Journal: A Sojourn in Sohra Cherrapunji

December 22, 2023, Debarath Das/On this day, we four friends with an insatiable appetite for adventure embarked on a journey through the enchanting landscapes of Sohra Cherrapunji. Our exploration was made all the more memorable by the company of Pappu, a carefree guy, short in stature, M. Com pass, and our amiable Innova driver. Pappu became more than a guide, weaving tales of the region as he navigated us through Meghalaya's pine trees and fold mountains. On our way, we indulged in a full breakfast, basking in the sun-soaked ambiance. The feast included omelets, Pahadi Maggie (noodles), bread omelets, and buttered bread. Pappu, our newfound friend, joined in the feast, blurring the lines between driver and companion. The journey unfolded with several stops, each revealing a different facet of Meghalaya's charm. At times, our birikhor friend and Pappu sought a cigarette break, while at one instance, I climbed a vast hill, reaching the high point of the Khasi Hills. The panor

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