debarath das blogspot

  The Library Movement in India found its roots in the early 20th century, with the princely State of Baroda, under Maharaja Sir Siyaji Rao Gaekowad III, pioneering the establishment of a systematic Public Library system between 1907 and 1910. While Tripura didn't witness a comparable systematic development, the late 19th century saw the state initiating its foray into public libraries. Maharaja Bir Chandra Manikya, ruling Tripura from 1862 to 1896, showcased a keen interest in literature and the role of libraries in society. His establishment of Birchandra Library in Comilla exemplified a commitment to public access, foreshadowing the later developments in Agartala. The Palace Library in Agartala, once exclusive to the royal family, shifted its focus in 1896 when Maharaja Radhakishore Manikya opened it to the public, transforming it into Bir Chandra Library. Its subsequent relocations, notably to V.M. Chowmohny (Presently IGM Chowmohny) in 1924, showcased a commitment to expanding...

 Memories from National Museum, New Delhi and a parallel to Art and Culture NCERT! Interesting to stand in a place, looking at something which is crafted almost 4000 years ago. We can only contemplate things through our knowledge of history. The Bearded man and the Dancing Girl are amongst the most significant discoveries from IVC.  When I left I had Stephen Dedalus in the back of my head, who had a transformative experience while visiting the National Museum of Ireland. He becomes very captivated by a plaster cast of the Greek mythological figure Daedalus, which symbolizes his own aspirations as an artist. This encounter sparks Stephen's desire to pursue his artistic ambitions and break free from societal constraints.

Recently, I watched this movie and later found a review that says, "Fahadh Faasil is a CHAMELEON; he doesn't act, he becomes." I absolutely agree! " Njan Prakashan " is a total winner! Fahadh Faasil nails it with his fantastic performance. The film serves up a clever mix of humor and heartfelt moments, tackling self-discovery and societal norms in a refreshing way. The film opens with Prakashan rotating a globe, crafting a list of desired countries. His declaration, " My name is P R Akash ," echoes Mohanlal's iconic line " I am B.Com First Class " from Nadodikaattu . This sets the tone for Prakashan's pretentious nature. The introduction of childhood friend Salomi's move to Germany sparks envy, driving Prakashan to concoct a plan. This captivating opening scene establishes the film's themes of ambition and the protagonist's complex journey, setting the stage for the unfolding narrative. The film brilliantly portrays the d...

The way I see it Yes, Sandhya, I adore you, yet not as a fence for a lifetime, nor as our solitary truth. Why am I confined to love just you, when another's essence may echo the same? In the expanse of love, do we find ourselves amidst prairies or within prisons? Are we destined to be prisoners of one another, as these flowers, if they halt their fragrant dance? What if these aromas, like whispered verses, ceased to waltz upon the breeze, leaving nature's symphony bereft of its fragrant sonnet? By Debarath

Finally watched "Ship of Theseus," a movie my film maniac friends have repeatedly recommended. I was blown away by all three parts, with Neeraj Kabi's storyline leaving the most significant impact. Directed by Anand Gandhi, this part explores a conflict involving religious customs, modern life, and internal struggles through Kabi's character. The section delves into the story of an ailing monk, portrayed by Neeraj Kabi. This character is dedicated to animal activism, fighting a lawsuit for captive pharmaceutical lab animals, believing in the equality of all existence. Staunchly refusing medicine from pharmaceutical companies that torture animals, especially when facing liver cirrhosis, he reveals his philosophy through dynamic, fast-paced philosophical discussions with a young lawyer. In these conversations, he articulates his atheism and emphasizes his belief in the law of causality and personal responsibility. Within the movie, Neeraj adheres strictly to the Jain Sw...

The 1964 Indian black-and-white short film "Two: A Film Fable," directed by the renowned Satyajit Ray, stands as a captivating exploration of childhood rivalry with a subtle yet profound social and political commentary. Made under the banner of Esso World Theater at the request of PBS, this film is part of a trilogy featuring diverse aspects of Indian culture. Set against the backdrop of the Vietnam War, "Two" unfolds as a silent narrative, a deliberate choice by Ray as a tribute to the silent film era. The absence of dialogue adds a universal layer to the storytelling, making it accessible to audiences regardless of language barriers. The film's brevity, with a runtime of 12 minutes, belies its impactful exploration of themes such as class divide, the consequences of unchecked privilege, and the specter of war. The storyline revolves around the interaction between a child from a wealthy family and a street child. The rich child, symbolizing the affluent First...

Encountering certain married couples can be awe-inspiring, with their affectionate and well-settled lifestyles leaving a lasting impression. However, when witnessing examples like Govind Nilahani 's directed Drishti(1990) , one might question whether these couples are genuinely living such harmonious lives or if they are adeptly acting their way through life. In the '90s, Mumbai couple Sandhya and Nikhil, played by Dimple Kapadia and Shekhar Kapur, navigate their affluent life with daughter Rashmi. Sandhya, an editor, and Nikhil, a research scientist, face challenges when Rahul (Irrfan Khan), a classical singer, enters their lives, sparking a clandestine affair. Sandhya confides in Prabha (Mita Vasisht). Amidst a terminated pregnancy and Nikhil's subsequent divorce, the film explores their complex journey. Years later, Nikhil realizes his love for Sandhya, leading to a candid reunion where past affairs are unveiled. "Drishti" symbolizes the intricate and nuanced a...

"Drive My Car," directed by Ryusuke Hamaguchi, unfolds as a cinematic exploration of profound themes embedded in the interplay of theater, life, and the complexities of human relationships. This article delves into the intricate tapestry of themes within the film, focusing on the parallels between the protagonist's theatrical endeavors and his personal journey. At the core of the film lies the theme of existential waiting, epitomized by the inclusion of Samuel Beckett's "Waiting for Godot." The theatrical waiting becomes a metaphor for life's uncertainties, echoing the protagonist Yūsuke Kafuku's own waiting – for resolution, understanding, and a sense of purpose. This theme not only permeates the staged performances but also intertwines with the unscripted waiting in Yūsuke's personal life. The choice to stage Anton Chekhov's "Uncle Vanya" adds a layer of complexity to the narrative. Chekhov's exploration of unfulfilled asp...

"We're all going to die, all of us; what a circus! That alone should make us love each other but it doesn't." Before addressing the question "why is Bukowski popular?" it becomes essential to explain how I discovered his gargantuan body of work. As a literary student, my subscriptions on various pages provided me with ample content within the discipline. Roberto Bolano, Sakti Chattopadhyay, Charles Bukowski, and the German poet Heinrich Heine have all captured my attention for various reasons. Despite their differences, a common thread among them is the ability to convey raw sentiments. However, Bukowski's popularity in this list is unparalleled. I have read many of his poems online, and works such as "Bluebird" and "There Will Be Light" became my favorites. Later, I purchased two of his books: a poetry anthology titled The Pleasure of the Damned and his semi-autobiographical work of fiction, which gained him popularity as Henry Chin...

Satyajit Ray's "Aranyer Din Ratri" intricately navigates the complex interplay between societal norms and individual desires, presenting a cinematic canvas rich in symbolism and cultural critique. Set against the backdrop of a wilderness retreat, the film unfolds as a profound exploration of the characters' repressed emotions and the constraints imposed by societal expectations. Ray's characters serve as vessels through which the audience witnesses the dichotomy between the raw nature of personal desires and the stifling influence of societal norms. The narrative unfolds with meticulous character development, each individual embodying facets of the broader societal construct and internal conflicts. Samit Bhanja, Soumitra Chatterjee, Subhendu Chatterjee, Rabi Ghosh, and Sharmila Tagore in Aranyer Din Ratri (1970) playing The memory game. Pic : IMDB The wilderness, a metaphorical space, symbolizes a realm detached from urban sophistication where characters confr...

My journey with Morrissey began unexpectedly, thanks to a cinematic experience that left an indelible mark. Joseph Golden Levitt's "500 Days of Summer" served as the portal into a musical universe where Morrissey's poignant lyrics and haunting melodies awaited. The film's brilliant use of The Smiths' "There Is a Light That Never Goes Out" sparked a curiosity that would evolve into a deep-seated obsession. Morrissey's ability to infuse meaning in melancholy and wisdom in his songwriting is unparalleled. As he croons, "To die by your side is such a heavenly way to die," there's a poetic beauty that emerges from the juxtaposition of profound sentiments and love. Each lyric tells a story of heartache, unrequited love, or societal critique, yet within this melancholic tapestry lies a reservoir of profound observations about life and human nature. In "Seasick, Yet Still Docked" from the album "Your Arsenal," Morrissey...

December 22, 2023, Debarath Das/On  this day, we four friends with an insatiable appetite for adventure embarked on a journey through the enchanting landscapes of Sohra Cherrapunji. Our exploration was made all the more memorable by the company of Pappu, a carefree guy, short in stature, M. Com pass, and our amiable Innova driver. Pappu became more than a guide, weaving tales of the region as he navigated us through Meghalaya's pine trees and fold mountains. On our way, we indulged in a full breakfast, basking in the sun-soaked ambiance. The feast included omelets, Pahadi Maggie (noodles), bread omelets, and buttered bread. Pappu, our newfound friend, joined in the feast, blurring the lines between driver and companion. The journey unfolded with several stops, each revealing a different facet of Meghalaya's charm. At times, our birikhor friend and Pappu sought a cigarette break, while at one instance, I climbed a vast hill, reaching the high point of the Khasi Hills. The panor...

The Right to Information (RTI) Act, enacted in 2005, marked a significant milestone in India's journey toward transparency, accountability, and citizen empowerment. However, the implementation of this crucial legislation has not been without its challenges. This essay explores the impact of the RTI Act in India, shedding light on its successes and the hurdles it faces, supported by relevant data. Empowering Citizens with Information: The RTI Act empowers Indian citizens to access information held by public authorities, fostering transparency and enabling them to hold the government accountable. Over the years, the RTI has played a pivotal role in uncovering instances of corruption, human rights violations, and inefficiencies within government agencies. Success Stories: The data on RTI applications and their outcomes showcase success stories where citizens have used this tool to unveil malpractices. For instance, the RTI played a pivotal role in exposing the infamous Adarsh Housing ...

 "The Matrix," a sci-fi classic, can be analyzed through a Marxist lens, particularly in its exploration of the concept of a superstructure. Marxist theory, developed by Karl Marx and Friedrich Engels, posits that societal structures, including the superstructure, are shaped by the economic base. The superstructure comprises cultural, political, and ideological elements that serve to maintain the existing social order. Examining "The Matrix" through a Marxist perspective reveals intriguing parallels with the concept of the superstructure. In the film, the Matrix itself can be seen as a metaphorical representation of the superstructure. The machines, acting as the ruling class, maintain control over human minds within the simulated reality to serve their economic interests. The Matrix, akin to the superstructure, shapes and perpetuates a specific worldview that supports the dominant system. The control exerted by the machines over the human population mirrors the Mar...

  The relationship between "The Matrix," a groundbreaking science fiction film, and the ideas of French philosopher Jean Baudrillard is a topic of considerable academic discussion. Baudrillard's concepts, particularly those from his work "Simulacra and Simulation," provide a theoretical framework for understanding how "The Matrix" engages with ideas of hyperreality, simulation, and the blurring of the boundaries between reality and illusion. A Poster of the movie 'The Matrix' 1999 In "Simulacra and Simulation," Baudrillard introduces the idea of simulacra, which are copies without an original. He argues that in contemporary society, signs and symbols have become detached from the reality they once represented, leading to a proliferation of simulated experiences that replace the real. "The Matrix" aligns with Baudrillard's concepts by presenting a world where the boundaries between reality and simulation are blurred. ...