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My Obsession With Morrissey

My journey with Morrissey began unexpectedly, thanks to a cinematic experience that left an indelible mark. Joseph Golden Levitt's "500 Days of Summer" served as the portal into a musical universe where Morrissey's poignant lyrics and haunting melodies awaited. The film's brilliant use of The Smiths' "There Is a Light That Never Goes Out" sparked a curiosity that would evolve into a deep-seated obsession.

Morrissey's ability to infuse meaning in melancholy and wisdom in his songwriting is unparalleled. As he croons, "To die by your side is such a heavenly way to die," there's a poetic beauty that emerges from the juxtaposition of profound sentiments and love. Each lyric tells a story of heartache, unrequited love, or societal critique, yet within this melancholic tapestry lies a reservoir of profound observations about life and human nature.

In "Seasick, Yet Still Docked" from the album "Your Arsenal," Morrissey's lyrics encapsulate heartache, conveying a profound sense of emotional desolation with lines such as "I am a poor freezingly cold soul, So far from where I intended to go." The juxtaposition of being seasick and docked metaphorically captures the feeling of being stuck in a place of discomfort and emotional turbulence.

"Late Night, Maudlin Street" from "Viva Hate" unveils Morrissey's exploration of unrequited love through poignant lyrics like "Oh time do as I wish, time do as I wish, All the best ones are dead." The repeated plea to time reveals a longing for a different outcome, while the acknowledgment of the deceased adds a layer of melancholy, emphasizing the enduring nature of unattainable love.

In "Life Is a Pigsty" from "Ringleader of the Tormentors," Morrissey offers societal critique within his lyrics, presenting himself as a central part of the mind's landscape with lines like "And I am now a central part, Of your mind's landscape." The metaphorical pigsty suggests the messiness of life, prompting contemplation on one's role in the intricate tapestry of society. These lyrics invite listeners to reflect on their own place in the complex web of existence.

Navigating the emotional landscape of Morrissey's discography, "Please, Please, Please, Let Me Get What I Want" became my anthem during moments of introspection, offering solace and a comforting companionship during life's inevitable lows. The simplicity of the plea mirrors the universal desire for fulfillment and understanding.

In "Everyday Is Like Sunday," the mundane and melancholic atmosphere is captured in the lines, "This is the coastal town that they forgot to close down." The evocative imagery resonates with the sense of ennui that pervades modern life, a sentiment that speaks to the very core of the human experience.

The synergy between Morrissey's music and cinema extends beyond the initial introduction. His songs have found their way into numerous films, enhancing the emotional depth of cinematic narratives. This cinematic connection adds a visual dimension to the already evocative tunes, making Morrissey's music a multisensory experience.

A curious parallel has emerged in the realm of contemporary music, where Harry Styles showcases a style reminiscent of Morrissey. Styles, with his flowers in the pocket and an air of romanticism, appears to draw inspiration from the iconic aesthetic that Morrissey pioneered. This resemblance adds an intriguing layer to the ongoing legacy of Morrissey's influence on the music scene.

To me, my obsession with Morrissey's music, rich in meaning in melancholy and wisdom, is a testament to the transformative power of music. From the cinematic spark that ignited this passion to the deeply personal connections formed with each lyrical masterpiece, Morrissey's music has become an integral part of my identity. In a world that often feels chaotic and uncertain, Morrissey's melodies provide a comforting embrace, reminding me that within the melancholy lies a wellspring of profound meaning waiting to be discovered.


- Debarath Das

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