Kor-eda Can Direct Perfect Days, but Wim Wenders Can't Direct Monster

In the cinematic landscape of 2023, the distinct styles of Hirokazu Kore-eda and Wim Wenders take center stage. Kore-eda's prowess in directing films that capture the essence of perfect days remains evident, showcasing his ability to portray the beauty and intricacy of everyday life. Notably, the introduction of Kore-eda's film "Monster 2023" adds a new dimension to his repertoire, where he explores a narrative beyond the familiar territories of familial intricacies seen in "Shoplifters" or the poetic exploration of relationships in "Our Little Sister."

fig. Monster 2023: Directed by Kore-eda

fig. Perfect Days 2023: Directed by Wim Wenders

Kore-eda's films, like timeless brushstrokes, paint pictures of ordinary moments infused with profound emotions. This hallmark of his craft is evident in "Monster 2023," where he likely continues to find beauty in the mundane while delving into a narrative that expands his creative boundaries.

On the other hand, Wim Wenders, celebrated for his philosophical narratives in classics such as "Wings of Desire" and "Paris, Texas," faces a distinctive challenge when directing monster-themed stories. This review implies that while Wenders excels in unraveling the complexities of human relationships, the introduction of monsters demands a departure from his accustomed philosophical explorations, or maybe questions his versatility.

As the cinematic journey unfolds in 2023, Kore-eda's brush continues to stroke perfect days with finesse, now extending its reach to explore the monstrous in "Monster 2023." Meanwhile, Wenders grapples with the challenge of venturing into this new terrain, contributing to the diverse tapestry of filmmaking. Each director's unique approach showcases that mastery extends to different themes and challenges, demonstrating a nuanced touch in their storytelling endeavors.

- Debarath Das

Understanding Privilege Blindness in a Casteist Society: Unveiling Systemic Injustices

"Caste consciousness, which is deeply ingrained in the Indian psyche, often leads to caste blindness and lack of sensitivity towards those outside one's own caste." - Gail Omvedt Caste-based discrimination has deep roots in many societies, fostering a hierarchy that systematically marginalizes certain groups. Within this framework, the concept of "privileged blindness" becomes pivotal. Privileged blindness refers to the obliviousness or intentional ignorance of individuals from dominant castes regarding the advantages they enjoy due to their caste position. This essay delves into the intricate dynamics of privilege blindness in a casteist society, exploring its origins, consequences, and the imperative need for awareness and activism. 1. Understanding Privilege Blindness: Privilege blindness often arises from a lack of awareness about the systemic discrimination embedded in the caste structure. Members of dominant castes may not recognize the inherent advantages

Ardh Satya (1983) and the Intricacies of Psychological Projection

I've developed an unusual interest in watching parallel films from Hindi Cinema in the last few months. Yes, 'unusual' because, as a fan of this genre, one typically explores big regional-international films first, rather than the works of Shyam Benegal or Govind Nihalani. The film under scrutiny is "Ardh Satya" from 1983, directed by Nihalani, which has recently gained prominence. While it has been compared to the more recent film 'Animal' for its exploration of psychological projection, the focus of this article diverges. The primary interest lies in understanding Om Puri's character and his struggle against a consuming society and his own ideals. In the film, Om Puri portrays Anant Welankar, a sub-inspector in the Maharashtra police, who initially joins the force with idealistic intentions. However, as he spends time in the Chowki, Welankar grapples with the sordid world of crimes and criminality. His haunting past and familial background, where his

Travel Journal: A Sojourn in Sohra Cherrapunji

December 22, 2023, Debarath Das/On this day, we four friends with an insatiable appetite for adventure embarked on a journey through the enchanting landscapes of Sohra Cherrapunji. Our exploration was made all the more memorable by the company of Pappu, a carefree guy, short in stature, M. Com pass, and our amiable Innova driver. Pappu became more than a guide, weaving tales of the region as he navigated us through Meghalaya's pine trees and fold mountains. On our way, we indulged in a full breakfast, basking in the sun-soaked ambiance. The feast included omelets, Pahadi Maggie (noodles), bread omelets, and buttered bread. Pappu, our newfound friend, joined in the feast, blurring the lines between driver and companion. The journey unfolded with several stops, each revealing a different facet of Meghalaya's charm. At times, our birikhor friend and Pappu sought a cigarette break, while at one instance, I climbed a vast hill, reaching the high point of the Khasi Hills. The panor

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