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History of Bir Chandra Library, Tripura.

  The Library Movement in India found its roots in the early 20th century, with the princely State of Baroda, under Maharaja Sir Siyaji Rao Gaekowad III, pioneering the establishment of a systematic Public Library system between 1907 and 1910. While Tripura didn't witness a comparable systematic development, the late 19th century saw the state initiating its foray into public libraries. Maharaja Bir Chandra Manikya, ruling Tripura from 1862 to 1896, showcased a keen interest in literature and the role of libraries in society. His establishment of Birchandra Library in Comilla exemplified a commitment to public access, foreshadowing the later developments in Agartala. The Palace Library in Agartala, once exclusive to the royal family, shifted its focus in 1896 when Maharaja Radhakishore Manikya opened it to the public, transforming it into Bir Chandra Library. Its subsequent relocations, notably to V.M. Chowmohny (Presently IGM Chowmohny) in 1924, showcased a commitment to expanding
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 Memories from National Museum, New Delhi and a parallel to Art and Culture NCERT! Interesting to stand in a place, looking at something which is crafted almost 4000 years ago. We can only contemplate things through our knowledge of history. The Bearded man and the Dancing Girl are amongst the most significant discoveries from IVC.  When I left I had Stephen Dedalus in the back of my head, who had a transformative experience while visiting the National Museum of Ireland. He becomes very captivated by a plaster cast of the Greek mythological figure Daedalus, which symbolizes his own aspirations as an artist. This encounter sparks Stephen's desire to pursue his artistic ambitions and break free from societal constraints.

Behind the Pretense: Fahadh Faasil's Brilliance in 'Njan Prakashan

Recently, I watched this movie and later found a review that says, "Fahadh Faasil is a CHAMELEON; he doesn't act, he becomes." I absolutely agree! " Njan Prakashan " is a total winner! Fahadh Faasil nails it with his fantastic performance. The film serves up a clever mix of humor and heartfelt moments, tackling self-discovery and societal norms in a refreshing way. The film opens with Prakashan rotating a globe, crafting a list of desired countries. His declaration, " My name is P R Akash ," echoes Mohanlal's iconic line " I am B.Com First Class " from Nadodikaattu . This sets the tone for Prakashan's pretentious nature. The introduction of childhood friend Salomi's move to Germany sparks envy, driving Prakashan to concoct a plan. This captivating opening scene establishes the film's themes of ambition and the protagonist's complex journey, setting the stage for the unfolding narrative. The film brilliantly portrays the d

The way see it

The way I see it Yes, Sandhya, I adore you, yet not as a fence for a lifetime, nor as our solitary truth. Why am I confined to love just you, when another's essence may echo the same? In the expanse of love, do we find ourselves amidst prairies or within prisons? Are we destined to be prisoners of one another, as these flowers, if they halt their fragrant dance? What if these aromas, like whispered verses, ceased to waltz upon the breeze, leaving nature's symphony bereft of its fragrant sonnet? By Debarath

Neeraj Kabi in Anand Gandhi's Ship of Theseus

Finally watched "Ship of Theseus," a movie my film maniac friends have repeatedly recommended. I was blown away by all three parts, with Neeraj Kabi's storyline leaving the most significant impact. Directed by Anand Gandhi, this part explores a conflict involving religious customs, modern life, and internal struggles through Kabi's character. The section delves into the story of an ailing monk, portrayed by Neeraj Kabi. This character is dedicated to animal activism, fighting a lawsuit for captive pharmaceutical lab animals, believing in the equality of all existence. Staunchly refusing medicine from pharmaceutical companies that torture animals, especially when facing liver cirrhosis, he reveals his philosophy through dynamic, fast-paced philosophical discussions with a young lawyer. In these conversations, he articulates his atheism and emphasizes his belief in the law of causality and personal responsibility. Within the movie, Neeraj adheres strictly to the Jain Sw

Satyajit Ray's 'Two' as a Poignant Anti-War Allegory

The 1964 Indian black-and-white short film "Two: A Film Fable," directed by the renowned Satyajit Ray, stands as a captivating exploration of childhood rivalry with a subtle yet profound social and political commentary. Made under the banner of Esso World Theater at the request of PBS, this film is part of a trilogy featuring diverse aspects of Indian culture. Set against the backdrop of the Vietnam War, "Two" unfolds as a silent narrative, a deliberate choice by Ray as a tribute to the silent film era. The absence of dialogue adds a universal layer to the storytelling, making it accessible to audiences regardless of language barriers. The film's brevity, with a runtime of 12 minutes, belies its impactful exploration of themes such as class divide, the consequences of unchecked privilege, and the specter of war. The storyline revolves around the interaction between a child from a wealthy family and a street child. The rich child, symbolizing the affluent First

Drishti 1990: Behind the Canvas of a Perfect Marriage

Encountering certain married couples can be awe-inspiring, with their affectionate and well-settled lifestyles leaving a lasting impression. However, when witnessing examples like Govind Nilahani 's directed Drishti(1990) , one might question whether these couples are genuinely living such harmonious lives or if they are adeptly acting their way through life. In the '90s, Mumbai couple Sandhya and Nikhil, played by Dimple Kapadia and Shekhar Kapur, navigate their affluent life with daughter Rashmi. Sandhya, an editor, and Nikhil, a research scientist, face challenges when Rahul (Irrfan Khan), a classical singer, enters their lives, sparking a clandestine affair. Sandhya confides in Prabha (Mita Vasisht). Amidst a terminated pregnancy and Nikhil's subsequent divorce, the film explores their complex journey. Years later, Nikhil realizes his love for Sandhya, leading to a candid reunion where past affairs are unveiled. "Drishti" symbolizes the intricate and nuanced a

Intersecting Absurdities: Chekhov, Beckett, and 'Drive My Car'

"Drive My Car," directed by Ryusuke Hamaguchi, unfolds as a cinematic exploration of profound themes embedded in the interplay of theater, life, and the complexities of human relationships. This article delves into the intricate tapestry of themes within the film, focusing on the parallels between the protagonist's theatrical endeavors and his personal journey. At the core of the film lies the theme of existential waiting, epitomized by the inclusion of Samuel Beckett's "Waiting for Godot." The theatrical waiting becomes a metaphor for life's uncertainties, echoing the protagonist YÅ«suke Kafuku's own waiting – for resolution, understanding, and a sense of purpose. This theme not only permeates the staged performances but also intertwines with the unscripted waiting in YÅ«suke's personal life. The choice to stage Anton Chekhov's "Uncle Vanya" adds a layer of complexity to the narrative. Chekhov's exploration of unfulfilled asp

Why Is Bukowski Popular?

"We're all going to die, all of us; what a circus! That alone should make us love each other but it doesn't." Before addressing the question "why is Bukowski popular?" it becomes essential to explain how I discovered his gargantuan body of work. As a literary student, my subscriptions on various pages provided me with ample content within the discipline. Roberto Bolano, Sakti Chattopadhyay, Charles Bukowski, and the German poet Heinrich Heine have all captured my attention for various reasons. Despite their differences, a common thread among them is the ability to convey raw sentiments. However, Bukowski's popularity in this list is unparalleled. I have read many of his poems online, and works such as "Bluebird" and "There Will Be Light" became my favorites. Later, I purchased two of his books: a poetry anthology titled The Pleasure of the Damned and his semi-autobiographical work of fiction, which gained him popularity as Henry Chin

Aranyer Din Ratri: Satyajit Ray's Dive into Societal Struggles and Repressed Desires

Satyajit Ray's "Aranyer Din Ratri" intricately navigates the complex interplay between societal norms and individual desires, presenting a cinematic canvas rich in symbolism and cultural critique. Set against the backdrop of a wilderness retreat, the film unfolds as a profound exploration of the characters' repressed emotions and the constraints imposed by societal expectations. Ray's characters serve as vessels through which the audience witnesses the dichotomy between the raw nature of personal desires and the stifling influence of societal norms. The narrative unfolds with meticulous character development, each individual embodying facets of the broader societal construct and internal conflicts. Samit Bhanja, Soumitra Chatterjee, Subhendu Chatterjee, Rabi Ghosh, and Sharmila Tagore in Aranyer Din Ratri (1970) playing The memory game. Pic : IMDB The wilderness, a metaphorical space, symbolizes a realm detached from urban sophistication where characters confr

Navigating the Gig Economy Landscape in Post-Pandemic India: Lessons from China

In the aftermath of the pandemic, India's gig economy has emerged as a pivotal force shaping the country's employment landscape. This dynamic sector, characterized by flexibility and adaptability, played a significant role in providing job opportunities and undergoing rapid digital transformation during challenging times. Definition of Gig Economy: The gig economy refers to a labor market characterized by short-term, flexible jobs, often mediated through digital platforms or apps, where individuals work on a task-by-task basis rather than having traditional, long-term employment. Image Source: Drishti IAS Influence of the Gig Economy on Post-Pandemic India: The gig economy demonstrated its resilience as workers seamlessly shifted to remote setups, and services like food delivery and e-commerce witnessed heightened demand. Despite economic uncertainties, gig work became a lifeline for many seeking alternative income sources, contributing to the overall economic recovery. The acc

Kor-eda Can Direct Perfect Days, but Wim Wenders Can't Direct Monster

 In the cinematic landscape of 2023, the distinct styles of Hirokazu Kore-eda and Wim Wenders take center stage. Kore-eda's prowess in directing films that capture the essence of perfect days remains evident, showcasing his ability to portray the beauty and intricacy of everyday life. Notably, the introduction of Kore-eda's film "Monster 2023" adds a new dimension to his repertoire, where he explores a narrative beyond the familiar territories of familial intricacies seen in "Shoplifters" or the poetic exploration of relationships in "Our Little Sister." fig. Monster 2023: Directed by Kore-eda fig. Perfect Days 2023: Directed by Wim Wenders Kore-eda 's films, like timeless brushstrokes, paint pictures of ordinary moments infused with profound emotions. This hallmark of his craft is evident in "Monster 2023," where he likely continues to find beauty in the mundane while delving into a narrative that expands his creative boundaries. On

My Obsession With Morrissey

My journey with Morrissey began unexpectedly, thanks to a cinematic experience that left an indelible mark. Joseph Golden Levitt's "500 Days of Summer" served as the portal into a musical universe where Morrissey's poignant lyrics and haunting melodies awaited. The film's brilliant use of The Smiths' "There Is a Light That Never Goes Out" sparked a curiosity that would evolve into a deep-seated obsession. Morrissey's ability to infuse meaning in melancholy and wisdom in his songwriting is unparalleled. As he croons, "To die by your side is such a heavenly way to die," there's a poetic beauty that emerges from the juxtaposition of profound sentiments and love. Each lyric tells a story of heartache, unrequited love, or societal critique, yet within this melancholic tapestry lies a reservoir of profound observations about life and human nature. In "Seasick, Yet Still Docked" from the album "Your Arsenal," Morrissey&

Travel Journal: A Sojourn in Sohra Cherrapunji

December 22, 2023, Debarath Das/On  this day, we four friends with an insatiable appetite for adventure embarked on a journey through the enchanting landscapes of Sohra Cherrapunji. Our exploration was made all the more memorable by the company of Pappu, a carefree guy, short in stature, M. Com pass, and our amiable Innova driver. Pappu became more than a guide, weaving tales of the region as he navigated us through Meghalaya's pine trees and fold mountains. On our way, we indulged in a full breakfast, basking in the sun-soaked ambiance. The feast included omelets, Pahadi Maggie (noodles), bread omelets, and buttered bread. Pappu, our newfound friend, joined in the feast, blurring the lines between driver and companion. The journey unfolded with several stops, each revealing a different facet of Meghalaya's charm. At times, our birikhor friend and Pappu sought a cigarette break, while at one instance, I climbed a vast hill, reaching the high point of the Khasi Hills. The panor

Delhi's Odd-Even Policy: Navigating the Complex Landscape of Pollution Control

The implementation of the odd-even vehicle restriction policy in Delhi has been a contentious subject, with proponents lauding its potential to mitigate pollution, while skeptics question its long-term effectiveness. To evaluate the impact of this policy, it is crucial to consider both its intentions and the available data on air quality during the periods of implementation. Proponents of the Odd-Even Policy: One of the primary arguments in favor of the odd-even policy is its aim to reduce vehicular emissions, a significant contributor to Delhi's air pollution. The policy operates by restricting vehicles based on their registration numbers, allowing only odd or even-numbered cars to ply on alternate days. Advocates contend that this reduction in vehicular traffic leads to decreased congestion and, consequently, lower emissions. Additionally, the odd-even policy seeks to encourage the use of public transportation, cycling, and carpooling. By limiting private vehicle usage, the polic

Right to Information (RTI) in India: Empowering Citizens Amidst Challenges

The Right to Information (RTI) Act, enacted in 2005, marked a significant milestone in India's journey toward transparency, accountability, and citizen empowerment. However, the implementation of this crucial legislation has not been without its challenges. This essay explores the impact of the RTI Act in India, shedding light on its successes and the hurdles it faces, supported by relevant data. Empowering Citizens with Information: The RTI Act empowers Indian citizens to access information held by public authorities, fostering transparency and enabling them to hold the government accountable. Over the years, the RTI has played a pivotal role in uncovering instances of corruption, human rights violations, and inefficiencies within government agencies. Success Stories: The data on RTI applications and their outcomes showcase success stories where citizens have used this tool to unveil malpractices. For instance, the RTI played a pivotal role in exposing the infamous Adarsh Housing